
Past Artist Collaborations
2025
Laylah Ali
Laylah Ali
Portrait w/self-portrait details
2025
Transfer lithograph
White Somerset satin paper
16.25" x 12.25"
edition of 10
Laylah Ali lives and works in Williamstown, MA, were she is a professor at Williams College. Her paintings are known for ambiguous race relations depicted with graphic clarity.
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This is the first in a series of "Heads" the artist is making in collaboration at Obee Editions with Master Printer, Perry Obee. Lithographic Transfer paper was prepared at Obee Editions and mailed to the artist. Laylah is then able to draw on the paper at their studio in MA. The transfer paper drawings are mailed back to Obee Editions and transferred to a lithographic stone using a traditional transfer technique.
Mark Dion
Mark Dion
Some Recent Plagues
2025
Two-color lithograph
Off-white Hahnemuhle Copperplate paper
13" x 16"
edition of 30
Mark Dion
Dante's Bear
2025
One-colorlithograph
Soft-white Somerset satin paper
11" x 17"
edition of 30
Mark Dion has received numerous awards, including the ninth annual Larry Aldrich Foundation Award (2001) The Joan Mitchell Foundation Award (2007) and the Smithsonian American Art Museum's Lucida Art Award (2008) and was a Guggenheim Fellowship recipient in 2019. He has had major exhibitions at the Miami Art Museum (2006); Museum of Modern Art, New York (2004); Aldrich Museum of Contemporary Art, Ridgefield, Connecticut (2003); Tate Gallery, London (1999), and the British Museum of Natural History in London (2007) .
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Dion’s work examines the ways in which dominant ideologies and public institutions shape our
understanding of history, knowledge, and the natural world. The job of the artist, he says, is to go against the grain of dominant culture, to challenge perception and convention. Appropriating archaeological, field ecology and other scientific methods of collecting, ordering, and exhibiting objects, Dion creates works that question the distinctions between ‘objective’ (‘rational’) scientific methods and ‘subjective’ (‘irrational’) influences.
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These prints exemplify Mark's graphic work which examines scientific illustrations and how they catalog and convey information to the viewer. Upon first glance they are straightforward scientific illustrations but upon closer viewing they offer absurd elucidations and cheeky commentary on contemporary culture.
Matt Magee
Matt Magee is a contemporary artist who has dedicated his over four-decade career to experimenting with abstract and conceptual art practices. Best known for his minimal abstract geometric paintings, sculptures and prints, his work explores language symbolically with an emphasis on repetition and nods to art historical precedents.
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Magee holds an MFA from Pratt Institute and a BA in Art History from Trinity University. The artist was awarded two resident fellowships (2007 and 2015) at the Josef and Anni Albers Foundation, a New York State Foundation for the Arts Grant in 2002 and a Pollock-Krasner Foundation Grant in 1991. His work is found in the collections of the Tucson Museum of Art, Museum of Fine Arts Houston, Phoenix Art Museum, the Museum Foundation of New Mexico, JP Morgan Chase Collection and the Beinecke Rare Book and Manuscript Library at Yale University, among many others.
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From the artist: "The recent print published by Obee Editions is another example of my exploration of asemic writing. Language has always been imbedded in my work and it wasn’t until the past few years that I’ve come to understand how I phrase the shapes in my prints, paintings and sculptures is a form of asemic writing. "
Asemic means “having no specific semantic context.” Authority on the subject, Peter Schwenger defines it as a wordless, open semantic form of writing.
2024
Julyan Davis
Julyan Davis
Elephant Ride
2024
Four-color lithograph
Soft-white Somerset satin paper
20" x 15"
edition of 20
Julyan Davis
Candy Apples
2024
Four-color lithograph
Soft-white Somerset satin paper
20" x 15"
edition of 15
These are a four-color lithographs made in collaboration with the artist at Obee Editions in 2024. The artist drew the "key" images (printed in dark red) on a lithographic stone using washes, crayon, scratching and sanding. The color layers were made using aluminum lithographic plates. They are f rom a series chronicling nostalgia and pop culture in the US South, specifically in these images, the Asheville Mountain State Fair.
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From Julyan Davis: "A good part of the work I have done over the past 35 years has been a kind of documentation in paint. Hundreds of places I have painted have since disappeared – due to neglect or demolition. In a way, my paintings of the mountain state fair in Asheville fit into this category. For a painter, the subject offers not just strong abstraction and vivid color, but also a kind of ‘Ash Can School’ opportunity for social commentary.
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Davis received a BA degree in painting and printmaking from the Byam Shaw School of Art in
London. He has exhibited extensively throughout the UK and the United States. Davis’s paintings
are in the permanent collections of the Asheville Museum of Art, Gibbes Museum of Art (SC),
Greenville Museum of Art (SC), Morris Museum (GA), among many other public and private
collections. Julyan currently works from his studio in Asheville, North Carolina
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Philip Lique




Philip Lique
Untitled
2024
Suite of 4, three-color lithographs
Soft-white Somerset satin paper
22" x 15"
edition of 5
Philip Lique (b. 1983, New Haven, CT) is a multidisciplinary artist whose practice seamlessly blends craft and generative art-making with public engagement. His work spans sculpture, installation, printmaking, and independent publishing. Currently, Lique serves as the Director of Exhibitions at Madarts Studio in Dania Beach, FL. In addition, he collaborates with various organizations, artists, and institutions as a freelancer, producing exhibits, programming, printed matter, and objects.
Lique's artistic practice is an exploration of form, material, and the narratives that bind them. This series of lithographs reference sculptures the artist recently exhibited at Emerson Dorsch Gallery in Miami, FL. An entire wall featured a series of “bricks” made completely from scrap wood. Each module is unique— different colors, shapes, and textures underneath the finished surfaces—and assembled in different ways to produce a multitude of patterns.
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These prints were published by Emerson Dorsch Gallery, Miami, FL.


Mark Dion
This print—limited to a run of only 30—was made specially to raise funds for Morbid Anatomy by our good friend Mark Dion, a well known and highly collectable contemporary artist whose work has been featured at The Museum of Modern Art in New York, Martin-Gropius-Bau in Berlin, and the Tate Gallery in London. The print cheekily elucidates the constellation of interests and fascinations that animate the Morbid Anatomy project.
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Mark Dion
Morbid Anatomy, 2024
1-color lithograph
15"x12"
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2023
Byron Anway




Jean McClaughlin





2022 and earlier
Mark Dion
The Right Hand Skeleton, 2021
One-color lithograph
Paper Size: 13 1/2 x 10 1/2 inches
Paper Type: Soft-White Somerset satin
Edition of 10
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Inka Bell
Yellow and Beige With a Hint of Lavender, 2019
Two-color lithograph
Paper Size: 30 1/4 x 23 1/4 inches
Paper Type: White Somerset satin
Edition of 12
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Shop​
published by Tamarind Institute.
Noel W. Anderson

Ebony Files, the Albuquerque Suite (Taste Winston), 2019
Three-color lithograph
Paper Size: 29 13/16 x 22 1/4 inches
Paper Type: Soft white Somerset velvet
Edition of 18
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published by Tamarind Institute.
Danielle Orchard

Untitled, 2019
Monoprint, with lithograph and monotype
Paper Size: 30 x 44 inches
Edition of 1
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published by Tamarind Institute.
Maja Ruznic

Mother and Child II, 2019
Monoprint, unique lettered proof
Paper Size: 24 x 19 inches
Paper Type: Antique white Somerset velvet
Edition of 1
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published by Tamarind Institute.

Mother and Child I, 2019
Monoprint, unique lettered proof
Paper Size: 24 x 19 inches
Paper Type: Antique white Somerset velvet
Edition of 1
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published by Tamarind Institute.
Kimberly Obee (McCarthy)

Build Me Up, 2017
Two-color lithograph
Paper Size: 15 x 8 inches
Paper Type: Rives BFK
Variable Edition of 10

Flora Fatalis, 2020
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Case bound book, Lithography, reduction linoleum, handset lead type
3 3/8 x 2 11/16 x 5/8 inches
Edition of 10
Willy Bo Richardson
Flow, 2018
Nine-color lithograph
Paper Size: 22 x 30 inches
Paper Type: Rives BFK
Edition of 10
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Tony Bradley

Curring III, 2017 (from a suite of 4 Lithographs)
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One-color lithograph
Paper Size: 22 x 16 inches
Paper Type: Rives BFK
Edition of 20
Perry Obee

Silver from Boston Hill, 2021
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Five-color lithograph
Paper Size: 12 x 12 inches
Paper Type: Soft white Somerset satin
Edition of 10

Tyrole, 2021​
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Nine-color lithograph
Paper Size: 12 x 12 inches
Paper Type: Soft white Somerset sating
Edition of 10
More Artist Collaborations
More info and images from past projects coming soon.
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Mark Dion
Noel W. Anderson
Phil Lique
Kimberly Obee
Virgil Ortiz
Inka Bell
Laylah Ali
Danielle Orchard
Aaron Noble
Maja Ruznic
José Antonio Suárez Londoño
Willy Bo Richardson
Amir Bakhshi
Khutso Paynter
Rachel Taylor
Roma Auskalnyte
Elena Carrasco
Mike Feijen
Arel Lisette Peckler
Jesse Wood
Amber Jensen
Tony Bradley
Ann Chernow
Nomi Silverman
Michael Torlen